Carl Fieger.
From Bauhaus to Bauakademie

22 March – 31 October 2018
daily 10 am – 5 pm
Bauhaus Dessau

Even with his first building, Carl Fieger (1893–1960) made architectural history. Though the single-family house of 1924 remained an experimental building, the circular building called a Wohnmaschine (machine for living in) had an immense effect on the professional community and future architects. It was an important contribution to the search for new standards in housing construction.

Carl Fieger is known first and foremost as a draftsman, initially for Peter Behrens’s office and later for the office partnership of Walter Gropius and Adolf Meyer. There he was substantially involved in planning many iconic modern buildings as an architect, among them the Fagus Factory in Alfeld (1922–25) as well the Bauhaus Building and the Masters’ Houses in Dessau (Walter Gropius, 1925/26). Between 1925 and 1928 he held the position of a teacher at the Bauhaus Dessau.

But Carl Fieger was more than a mere staff member in Gropius’s office. He left his own mark on modern architecture. For instance, he built the popular restaurant on the banks of the Elbe river, the Kornhaus (1929–30), and his own house in Dessau (1926/27), for which he also designed the interior.

Apart from his talents as a draftsman, Fieger had an eye for standardisation and working with prefabricated parts, and an interest in new industrially produced materials that lasted throughout his 40 years of practice. He later put to use the experiences he made in these fields at the Bauhaus as a research fellow at the Deutsche Bauakademie, the German university of architecture in East Berlin. Consequently, in 1953 Carl Fieger became the first architect to plan a prefabricated house in the GDR, a concrete slab building that did not look like one from the outside and hid its construction method behind a traditional facade.

The exhibition Carl Fieger. From Bauhaus to Bauakademie highlights the complete oeuvre of the architect, designer and distinguished draftsman. The versatile artistic approaches that Fieger followed also retain the multifaceted character of the Bauhaus in its role as a school of design. The original drawings, architectural models, furniture, photographs and works produced as a student not only show Carl Fieger’s contribution to the architectural education at the Bauhaus, but also shed a new light on the architect – as a designer, who combined new standards with individual expression.


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Carl Fieger, Doppelwohnhaus für Ärzte, um 1924 / Stiftung Bauhaus Dessau (I 2283 G)
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Carl Fieger, Entwurf eines Zeitungsgebäudes in Eisenbeton für den Wettbewerb der Chicago Tribune, 1922 / Stiftung Bauhaus Dessau (I 2309/2 G)
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Carl Fieger, Haus Fieger, Dessau, Südansicht, 1927 / Stiftung Bauhaus Dessau (I 2371/6 F), Fotograf unbekannt
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Carl Fieger im Baubüro von Walter Gropius, 1929 / Stiftung Bauhaus Dessau (I 1014 F, Fotograf unbekannt
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Ausstellung "Carl Fieger. Vom Bauhaus zur Bauakademie", Ausstellungseröffnung, Bauhaus Dessau, 21.3.2018 / Stiftung Bauhaus Dessau / Foto: Meyer, Thomas, 2018 / OSTKREUZ
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Ausstellung "Carl Fieger. Vom Bauhaus zur Bauakademie", Interaktive Architekturen "Baukasten Fieger" von BadaboomBerlin, 22.3.2018 / Stiftung Bauhaus Dessau, Foto: Thomas Meyer / OSTKREUZ
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Ausstellung "Carl Fieger. Vom Bauhaus zur Bauakademie", Interaktive Architekturen "Baukasten Fieger" von BadaboomBerlin, 22.3.2018 / Stiftung Bauhaus Dessau, Foto: Thomas Meyer / OSTKREUZ

Curators
Wolfgang Thöner
thoener@bauhaus-dessau.de

Dr. Uta Karin Schmitt



Funded by:

Land Sachsen-Anhalt       Lotto